Morrissey-solo
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posted by
davidt
on Sunday September 12 2004, @09:00AM
An anonymous person writes:
Jonathan Coe, author of 'The Rotters Club', talks about 'You Are The Quarry' in this month's edition of 'Word' magazine. It's clear he's a Smiths/Morrissey fan but he expresses his disappointment with the new record. Sadly, I'm afraid I largely agree with his sentiments. Here's what he says: "I've been trying to like the new Morrissey album. Lyrically he's still on fantastic form and there are two or three wonderful lyrics, particularly the one about forgiving Jesus. But I just think that musically it's so many notches below what he did with Johnny Marr. It's so unexceptional that it just grates on the ear after a while. He's one of the great English comic versifiers, but it's been heralded as a huge comeback and if you listen with a bit of objectivity, you can see that's hype. It's a good record but not as special as the Morrissey machine has been making out". How very true those words are. Time for some new musicians, then...... (I know I can expect some stick for that comment, but I'll take it!!!).
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agreed! (Score:2, Insightful)
(User #10175 Info)
more books by him (Score:1)
I remember reading it, each chapter starts with a smiths/morrissey quote...
(User #4385 Info | http://www.sweetness-online.de/)
no, no, no, no (Score:1)
(User #7063 Info)
It's great! (Score:0)
I love it. Perhaps because I'm not constantly trying to compare it to past work.
I find the album absolutely refreshing compared to a lot of the music around today. I find it bold, ambitious and beautiful.
OK, he falls a bit flat with "America". I can see what he's trying to do but he doesn't quite pull it off, but at least he's trying and at least it got people talking which is more than most music does these days.
He could so easily have served us up a rehashed Vauxhall just to keep us and the critics happy. I'm so glad he didn't.
You Ate The Curry (Score:1)
(User #12035 Info)
I believe the reverse is the case (Score:0)
No, what lets YATQ down are the duff lyrics. Smelly uniforms, face dragged through shit, taxment, magistrates, accountants etc.
It has to be one of the most lyrically charmless albums in the history of recorded music.
J
Re:I believe the reverse is the case (Score:2, Funny)
(User #8642 Info)
Parent
Here's my summary (Score:1)
YATQ is wonderful. Each album is a separate masterpiece.
Truly,
Ken Stavitzke
(User #3940 Info)
Moz is a great "not a seal" but this record (Score:0)
period
avg record and too comercial for a moz cut
there is no question it about it....2 or three great tracks the rest is real empty superfluous blather
why why why (Score:1)
people, this is the same guy who has an album called boomslang... BOOMSLANG! which IS the worst thing ever put on disc...
i just feel sorry for moz who had to deal with e.t. for that long... so sad... i am glad he is free now... YATQ fascinates me, i love it... it speaks to me more than some cheesey 80s guitar riff
(User #10724 Info)
Everybody's SO Fucking Clever! (Score:1)
(User #20 Info)
It's all Finn's fault musically (Score:1)
(User #10050 Info)
Hyped Rotten (Score:1)
(User #5009 Info)
the same old critical line (Score:1)
Anyone with ears can hear "Quarry" is one of his finest albums. There are a couple of fillers in "I'm Not Sorry" and "America" but as a whole, it's fantastic.
It's interesting too that recently in the music magazines they've recently been referring to "Quarry" as his "return to form." The glowing MOJO and NME reviews, as well as all the other positives seem to have outweighed the one critical and self-indulgent whine from John Harris. It received a mixed reception initially - could it be that it's starting to grow on a few of the more critical voices?
Either way, it's a definite "grower."
(User #12260 Info)
Re:the same old critical line (Score:2, Insightful)
Excellent non "bipartisan" account of someone with that "blind"(in this case deaf?) worship...
When I was 15 or even 19 or 20 I may have defended YATQ like our friend Broken whom Im sure is a very decent person but as we grow (and not indifferent as he Im sure will argue)more evolved as human beings, as listeners, as adults no longer star-struck but rather, now many of us realising we struggle through life and are afforded glimpses of the divine only occasionally in music and certainly in the SMITHS on more than one occasion, it is then at that further point do WE REALIZE when an artist is not reaching their own former standards. In other words, this album doesnt really reach the soul as easily it would when we were twenty. We recquire more than what Morrissey writes about these days, it simply doesnt "hit home" as it once did. Morrissey has not grown with us Im afraid. As my most inarticulate friend recently summarised: " I love the Smiths but his depressing lyrics dont relate to anyone anymore". I guess what he means is, The discerned listener hears the laziness of pen and definately of instument in this record. The only element which is as good if not better than what Morrissey has done in the past is his voice, which is what keeps me listening and enjoying because its a great one...but to say this record is anywhere near the Smiths or Vauxhall, Arsenal etc is just completely jaded.
Cheers,
Giant
(User #430 Info)
Parent
Shut up (Score:1)
We've waited for seven years, for a fucking decent album. Ok, it may not be his best, but it's still further away from his worst.
It wouldn't have mattered what he'd done, they would've slagged him off anyway.
Just enjoy it or shut up.
(User #4968 Info)
pull me..... (Score:0)
Merritts work with the Magnetic Fields, the 6ths, Future Bible Heros, and his other projects is amazing.....
wasnt he quoted as saying morrissey needs new musicians but that he was one of the most brilliant writers around?
rekindled (Score:0)