Heard it last night & think the sound is great -- more clean & distinct and not just louder.
But like many I am shocked by the edit to Ouija Board!! It is one of my absolute favorites, and the spell-out is critical to what makes it so amazing. First off, spelling-out is what a ouija board is all about, but more than that the song is exemplar of what he does best: give voice to many of life's tortures with (at times) great humor. The song is (to me) a farce of anquishing lonliness and disconnection, and the pay-off which makes it a suffering-laugh-of-ceaseless-cruelty is that the one entity in the universe he thinks he can turn to for love or advice has no time for him. That is now lost. And best of all, he dosen't just hand you the 'punch-line,' you have to work for the pay off; actually listen, picture the letters in your head, etc....
It's the kind of mistake any artist can make -- if you look at a piece too long, you can convince yourself that the best bit is the worst. You'd think he would have more respect for the writer's impulse of the moment, but maybe that the song didn't do well has been a long-held disappointment.... He's carved this beauty up!!