BrummieBoy
Well-Known Member
I can't be bothered to read all of your inevitably idiotic reply but well done for writing a mini dissertation. I'm just pretty pleased that I put your f***-witted incredulity at Gallagher selling 100,000 in a week into some kind of intelligent perspective i.e. that Oasis managed to sell 4 times that number in 1 day.
If anything, it's amazing that Gallagher sold so few considering the team of professional songwriters he recruited, and the anticipation for the first solo record from the singer of one of the most commercially successful groups of the last 40 years.
A quick scan and you've mentioned Paloma Faith. Of course, Low in High School won't beat Paloma's album. Her single is getting tons of airplay, and this will power it to well over 30,000 sales. I've tried to explain to you before the relationship between airplay and record sales but even that sadly proved too complex for you to grasp.
As for being a music snob, yep, perhaps that explains why I've spent most of the last week listening to the new Taylor Swift album (it's a big disappointment after 1989) and why Harry Styles' Sign of the Times is one of my favourite songs of the year.
I'm constantly debunking the foolishness of your idiotic ramblings. It's a little exhausting but strangely gratifying. Everyone now knows what a total twat you were for being surprised at Gallagher selling 100,000. Perhaps best if you stick to your two apparent subjects of expertise - cheese and vegan cardigans.
You're replying to a comment you haven't read? O...K....
You're not debunking anything sunshine, just showing yourself up as a twit. More and more excuses without addressing the key point: there's nothing stopping Morrissey getting 'professional songwriters' if he wants to sell shitloads of records. If he doesn't, he needs to STFU about 'crass consumers' refusing to buy his mediocre albums and drop his hilarious 'conspiracy theory' that the music biz is trying to stop him connecting with a larger audience. If he delivered the goods with strong songs and kept his potty mouth in check in interviews he'd sell more to the 'crass consumers' he despises but who he thinks owe him a luxurious living. But he's addicted to his victim script so he'll continue to wallow in his C List pity party.
I don't need a fool like you to explain anything to me. Morrissey got more than enough airplay for STDIB but the British public just went 'meh!'. There's no credible reason why Paloma would beat Morrissey in sales other than the fact that the British public don't think Morrissey's new stuff is any good. Once again you fall into the same delusions as Morrissey: that you can buy commercial success if you have a big enough PR budget from a Major Label. All the evidence is that it isn't that simple. Word of mouth does most of the work. Your desperate attempt to back-track from your snobbery won't work. You claimed the listening public were 'undiscerning masses'. As it turns out, they can discern very well between talent and hype. Paloma is reaping the rewards of her hard work and engaging public persona. Not my cup of tea but I'd never dismiss people who buy her album as 'undiscerning masses'. Not a fan of Ed Sheeran either but, again, wouldn't be such an arrogant prat as to call his fans 'crass consumers'. Face it. Morrissey is just jealous. A jealous C List also-ran has-been. His only hope of mass attention now is by shameless trolling or re-branding himself as part of a reunion of The Smiths. Or he could employ 'professional songwriters'....
Morrissey is currently #99 on the US Amazon 'best seller' list, ahead of the vinyl version of 'divide' by Ed Sheeran but behind '25' by Adele...next you'll be saying that Adele's success was due to PR hype and a big budget rather than word of mouth. Adele's success arrived as the perfect debunking of Morrissey's nonsense. A +size girl from Tottenham rose to the top purely on the basis of her Voice, the very thing that Morrissey claimed was his USP. Karma's a bitch, ain't it Moz?.....