Cornelius Carr: "Warrior in Wellington Boots" Morrissey excerpts (1st published December 5, 2022)

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Morrissey mentions:

"After the fight, the changing room was packed, full of my friends, including Amanda, Damien, Ollie, Shaun, young Marty, and of course, Big Marty. They were all congratulating me. The changing room was buzzing with excitement when a guy approached me and asked if he could have a quiet word. He said, “Do you know Morrissey?” I said, “Morrissey, the singer from The Smith’s?” He nodded his head and told me Morrissey was outside waiting to meet me, and I asked him to bring Morrissey into the changing room to see me, as this was my night, and this was my moment. I didn’t want to leave the crowd of people. I was revelling in my success amongst my friends. The guy left the changing room, and someone popped open a bottle of champagne. Then the guy appeared again, and standing behind him was Morrissey with a photographer. Morrissey congratulated me, put his arm around me, and the photographer quickly snapped a photo of us. I thought it was weird meeting Morrissey. The introduction to him and his departure had happened so quickly."


"Three weeks after the title fight, I had a phone call from one of Morrissey’s representatives asking if it would be possible for Morrissey to meet me. The meeting occurred at one of my training sites, the Battersea running track. Morrissey and I met up, and I shook his hand, and he congratulated me again on my win. He had just finished recording a song, ‘Boxers’, and wanted to make a video to promote the new song. He asked me if I would be interested in starring in the video. I was excited at the thought and told Morrissey that I was interested in filming the video, I thought it would be good fun, and it might help me to further my career.
After we met at Battersea, Morrissey’s people called me to discuss the details of the film shoot. The video would be filmed in a few weeks at York Hall, Bethnal Green, the historic venue where I had many of my fights and had just won my British title fight. Morrissey’s team asked me to bring a few boxing colleagues with me who would also get involved in the filming. On the day of the filming, we arrived at York Hall and met Morrissey and all his team, including the young actor who played my opponent. The video and song were about a boxer being defeated in his hometown, and I would play the part of the challenger. The actor who played my opponent had never boxed before; he was petrified. I think he was worried that I would batter him. I put him at ease and told him not to worry, saying that we would choreograph the boxing moves safely and he wouldn’t get hurt.
We sat down before the shoot to discuss the technicalities of the filming. I did the boxing choreography and other parts of the video, choreographing the fight scenes, skipping in the ring, and shadowboxing. Morrissey made a cameo appearance in the video. We completed filming the scenes in one day, and I hoped the song and the video would be successful. I thought the filming went well, and the song sounded fantastic. Morrissey’s team organised a big marketing campaign to promote the single ‘Boxers’, which was released in January 1995. They also went on a tour of the same name. The single reached number 23 on the UK Singles Chart, despite not featuring on an album at the time of its release. I was proud to feature on the cover of the CD and on a huge backdrop during Morrissey’s ‘Boxers’ tour. I was stopped and asked for my autograph a few times whilst out and about in London, I assumed it was for my boxing fame, but it was due to my appearance on the video ‘Boxers.’ I wanted to be recognised for the years of my hard toil in boxing, and I had done a few hours of work for a video, and I was getting more attention for that. Morrissey still has a cult following and is still performing, and recently he is scheduled to perform as a resident in Las Vegas, USA.
Morrissey has a huge fan base, and he is adored worldwide. A few years after I worked with Morrissey, he appeared in 1995 on the Jules Holland Show. Jules asked him who his favourite boxer was. I felt privileged when he said, ‘Cornelius Carr’. He mentioned me, saying that I was his favourite boxer. He rarely gives interviews, and for him to mention me was truly kind of him. After I filmed the video, Morrissey wrote me a handwritten letter, thanking me for working with him, which I thought was a nice gesture. Sadly, I lost the letter. I have moved homes many times, and I am annoyed with myself that I can’t find it, it was something I treasured."


"That day I spent my time walking, shadowboxing, resting, and mentally preparing myself for the battle ahead. My fight was scheduled for 9.30 that evening at The Point, which was a large venue owned by Bono from the Irish band U2. The previous night Morrissey had performed there to a sell-out crowd, and someone told me he had stayed in Dublin to watch my fight, but I didn’t see him."


"It was a strange coincidence that Jim had sat ringside when I had boxed Steve Collins at The Point a few years previously. I was lucky that Jim offered me a cameo role in the film. I was overjoyed to be a part of the team. As an actor and as a boxing choreographer, I learned a lot from choreographing the Morrissey video, and that experience helped me enormously, and I passed on those skills for ‘The Boxer’ movie."


Culled from the digital version.
The book is worth reading if you like boxing.
Regards,
FWD.
 
Yeah I felt this two, despite 3 or 4 cracking tracks on it I could never quite see what all hype was.
I think people were just happy to have him back, it was his year really, the closest he ever came to being accepted and hugely popular, for a whole year !!
 
You find Maladjusted bland? I love it! I'm with you on Quarry referring to blandness. The second disc of B sides is a superior album in my opinion.
I Can Have Both is one of my all time Morrissey favourites, should have been on the original album
 
After watching that video I can't believe you have a part 2! I can't see many people having a selection as glorious as this.

Me, I have two signatures. A signed vinyl copy of Years Of Refusal bought and paid for in Prague and a signed copy of Autobiography signed at the book signing obviously in his presence. I've got some catching up to do ;)
Thank you for the kind words. In those early days I tried to meet Morrissey as often as I possibly could. Of course, I would have a record or two with me each time.

I created the video for people trying to spot fakes they might purchase. These are all real and I got them all from him. So they are reliable. His autograph has changed throughout the years.
 
Just in that short excerpt I read, there is a lot of repeating. It is written on the level of a 6th-grader (sixth form?). Embarrassing. Get a proofreader.
 
I Can Have Both is one of my all time Morrissey favourites, should have been on the original album
I Can Have Both is in my top ten all time Morrissey songs! It has the feel and vibe of a classic Smiths track without being derivative. It's one of Boz' best tracks! I had this on loop for ages. The Maladjusted B sides album Rare Tracks is an album unto itself in my opinion.

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If only I had it on vinyl and not just CD.
 
I Can Have Both is in my top ten all time Morrissey songs! It has the feel and vibe of a classic Smiths track without being derivative. It's one of Boz' best tracks! I had this on loop for ages. The Maladjusted B sides album Rare Tracks is an album unto itself in my opinion.

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If only I had it on vinyl and not just CD.
Absolutely mate, its an underrated moz classic. Im not sure Rare Tracks has ever been out on vinyl but who knows, a record store day release one year? And the sleeve is far better then Maladjusted too.
 
Absolutely mate, its an underrated moz classic. Im not sure Rare Tracks has ever been out on vinyl but who knows, a record store day release one year? And the sleeve is far better then Maladjusted too.
Yeah I doubt it's on vinyl and the fact Morrissey released an expanded version of Maladjusted only on CD means we'll probably never see it. We have more chance of Bonfire and Without Music being released and that's not much of a chance unfortunately.
 
Yeah I doubt it's on vinyl and the fact Morrissey released an expanded version of Maladjusted only on CD means we'll probably never see it. We have more chance of Bonfire and Without Music being released and that's not much of a chance unfortunately.
And the re released Maladjusted cd cover was worse than the original lp sleeve in my opinion, naff pose half smiling, ah never mind, the music within in great.
 
And the re released Maladjusted cd cover was worse than the original lp sleeve in my opinion, naff pose half smiling, ah never mind, the music within in great.
I don't hate either of the Maladjusted sleeves but I do get the criticism for sure as they're not great but good. I like them because they were last of the simple sleeves without props such as guns, babies, violins, pens, dogs, etc... Yes LIHS and IANADOAC had no props but they weren't pics of current day Morrissey. I also have a soft spot for Maladjusted because it was the first tour I saw of Morrissey at the Battersea power station.

Did you ever see the Maladjusted sleeve that was ditched for the rerelease?

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And the re released Maladjusted cd cover was worse than the original lp sleeve in my opinion, naff pose half smiling, ah never mind, the music within in great.
I don't hate either of the Maladjusted sleeves but I do get the criticism for sure as they're not great but good. I like them because they were last of the simple sleeves without props such as guns, babies, violins, pens, dogs, etc... Yes LIHS and IANADOAC had no props but they weren't pics of current day Morrissey. I also have a soft spot for Maladjusted because it was the first tour I saw of Morrissey at the Battersea power station.

Did you ever see the Maladjusted sleeve that was ditched for the rerelease?

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speaking of sleeves … don’t know if you two have seen this fan made artwork? ….

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I thought it pretty cool.
 
I don't hate either of the Maladjusted sleeves but I do get the criticism for sure as they're not great but good. I like them because they were last of the simple sleeves without props such as guns, babies, violins, pens, dogs, etc... Yes LIHS and IANADOAC had no props but they weren't pics of current day Morrissey. I also have a soft spot for Maladjusted because it was the first tour I saw of Morrissey at the Battersea power station.

Did you ever see the Maladjusted sleeve that was ditched for the rerelease?

View attachment 94706
Battersea was a great show, and i hadnt really thought about the props but now you mention it he has had a few. I think the back picture of alma matters would have been a great front sleeve also, but i prefer the tinted version of the re release, more eye catching, not seen that before, thanks
 
Interesting the *ahem* honesty about Quarry in this thread. I was deeply suspect of it at the time it was released and feared that if that was the best he could come up with after seven whole years then he was probably a spent force. Yet at the time of its release most Moz fans seemed to think it was a glorious return to form.
I’m not sure that was the case; I thought it was disappointing. And for a close friend, and a mega Morrissey fan since Viva Hate, it was the moment he decided his fandom was over.

There was though, significant acclaim in the music press—which was probably an effort to recover some credibility after the laughably poor reviews for the rather good Southpaw, and brilliant Maladjusted. I guess the susceptible followed the line and believed the hype.

You know I Couldn’t Last is just slightly behind At Last I am Born, in the contention for Morrissey’s worst album closing song. In the days when I would program my CD player (to juggle track lists), I ended Quarry with I’m not Sorry. It really helped.
 
Carr was a handy fighter - not many took Steve Collins 12 rounds, remember Collins stopped Nigel Benn twice and arguably won the second Eubank fight more comprehensively than he beat Carr,

The music was good round this period of Morrissey's career, though it would also appear to have been the springboard for his pseudo-hard man phase in the year or two afterwards. I can't help but think that was a mis-step which set him back a while.
 
I’m not sure that was the case; I thought it was disappointing. And for a close friend, and a mega Morrissey fan since Viva Hate, it was the moment he decided his fandom was over.

There was though, significant acclaim in the music press—which was probably an effort to recover some credibility after the laughably poor reviews for the rather good Southpaw, and brilliant Maladjusted. I guess the susceptible followed the line and believed the hype.

You know I Couldn’t Last is just slightly behind At Last I am Born, in the contention for Morrissey’s worst album closing song. In the days when I would program my CD player (to juggle track lists), I ended Quarry with I’m not Sorry. It really helped.

Like you I thought it was underwhelming in places, although the highs of that record are beyond dispute. Three or four of them sound like some sort of ghastly Morrissey parody rather than the man himself - and set the tone for some of what followed on Years of Refusal and after.

Now Tormentors I think is an under-rated Morrissey album, I really liked the way that was produced and it had a few killer songs as well as several good ones. There are of course a couple of clunkers (as you need to expect from any Morrissey solo record post-1994) but it eclipses Quarry for me in terms of the overall standard.
 
Carr was a handy fighter - not many took Steve Collins 12 rounds, remember Collins stopped Nigel Benn twice and arguably won the second Eubank fight more comprehensively than he beat Carr,

The music was good round this period of Morrissey's career, though it would also appear to have been the springboard for his pseudo-hard man phase in the year or two afterwards. I can't help but think that was a mis-step which set him back a while.
That Super Middleweight division seemed the apex of boxing in the 90s—but then came Calzaghe and Froch, and set the bar even higher.
 
I’m not sure that was the case; I thought it was disappointing. And for a close friend, and a mega Morrissey fan since Viva Hate, it was the moment he decided his fandom was over.

There was though, significant acclaim in the music press—which was probably an effort to recover some credibility after the laughably poor reviews for the rather good Southpaw, and brilliant Maladjusted. I guess the susceptible followed the line and believed the hype.

You know I Couldn’t Last is just slightly behind At Last I am Born, in the contention for Morrissey’s worst album closing song. In the days when I would program my CD player (to juggle track lists), I ended Quarry with I’m not Sorry. It really helped.
Or, maybe, other fans' tastes differ from your and they genuinely love the album.

I for one think it's his best one.
 
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