Finally, after a 3 month struggle with Amazon, I received my copy of this book a few days ago. I finished it today.
Long story short: It was worth the wait.
The main focus here is on Morrissey's art. And that's why I love it.
First of all, the author knows his subject, and this makes all the difference. I think Len Brown is likeable. He's a fan, but he's rational in his approach. He doesn't seem to have a set agenda, he's sincerely interested in and, most importantly, familiar with, the influences that feed Morrissey's art.
One of my favorite moments is in the chapter "Into Exile" where Brown interviews Moz for The Brit Girlsdocumentary. Picture Morrissey in the driver's seat of a silver sports car, zipping around England in search of an appropriate interview spot (they've been chucked out of a park in Manchester for not having a permit). Moz is playing song after song by Sixties girl groups and challenges Len to "Name That Tune in one." Yikes! The interview itself is fascinating, Morrissey's knowledge is voluminous. He must have a photographic memory.
In the same chapter Brown recounts a beautifully awkward run-in with Moz at a book store....trust me, you just have to read it. Moz asks him if he's read any Housman "You really should read A Shropshire Lad," he says. Isn't that a quote from A Room with A View?
They exchange faxes quoting Blondie lyrics.
Maybe its just me, but I love little nuggets like that. How one work references another, like little bits of code to decipher and explore.
I think all the references to Wilde are interesting, and well researched and supported. The parallels (conscious or subconscious) are there. This could have been one big thesis paper on the influence of Wilde in Morrissey's work, but it goes well beyond that, because Morrissey's work extends well beyond that.
The only disturbing content for me was the feeling that, if Morrissey's obsession with death, dying, suicide, and all the tragic Wildean parallels hold true, the future is painted as fatalistic and bleak. I'd argue that he has already surpassed the need for a tragic end. His legacy is already in place. And there's still so much more to be said - in music and in print. Besides, living well is the best revenge.
Now all we need is the official autobiography.
So yeah, thumbs up!